I mean.. I applaud Vix. How many hours in a week do we all spend shit talking the onions? She actually got concrete proof that he has never had any intentions of stopping with the whole flying girls out behind Lainey’s back thing or being emotionally faithful or trying to blatantly and horrifically manipulate every single person he comes into contact with.
All in all, I think she did help show who he really is. Of course it’s nothing new to US because we already know what kind of person Greg is. We already see his manipulation. But I feel like this is a great eye opener to a lot of his and Lainey’s fans that were on the fence or who think they really do live in some kind of perfect fantasy relationship.
Lucifer (Morningstar)
A wax sculpture depicting the devil snared in a set of power lines built by Paul Fryer. The sculpture is illuminated by the church’s stained glass windows.
It can be seen at The Holy Trinity Church in Marylebone, Westminster.
David Foster Wallace
Gold Fireflies Dance Through Japanese Enchanted Forest
Digital Photo Blog captured these stunning images of gold fireflies during Japan’s rainy season in June and July. A dazzling long-exposure effort, the fireflies resemble a chimerical glittery effect only seen by fairies in enchanted forests.
So much of TV is way too concerned with being Clever™ right now. There’s this pervasive myth that audiences won’t enjoy a narrative climax unless it’s a total surprise. “Predictable” is always used as a pejorative term when it comes to storytelling, but I think that’s absolute crap, because here’s the thing:
Unpredictability is not, inherently, a virtue. Unpredictability can mean: a) you don’t have a clear grasp on who your characters are or what direction they’re growing. b) you don’t have a clear vision for the story you’re trying to tell. c) you don’t know how to tell the story (for example, you have a Point A and a Point B but the middle is a bunch of disjointed time-wasting filler.
“But,” the showrunners cry, “you never saw that twist coming! We kept you on your toes!” That does not make it good. Cleverness is often just smoke and mirrors designed to distract the audience from a lack of substance; it doesn’t guarantee a worthwhile story. I don’t want to be shocked for the sake of surprise - I want to feel like the experience was worth my time.
I want to be introduced to a character, and then I want to be taken on a journey with that character. I want every step of that journey to teach me who they are; what they believe, what they want, what they hate, what they fear, and what they love, so that when they are faced with a conflict or a critical moment of decision, I understand exactly why they do what they do. I’m hoping their choices in that moment will reveal something truthful and powerful and worth knowing about another person’s experience.
That’s what I want in a story. I genuinely don’t care whether it’s clever or predictable or whatever; I just want a worthwhile journey in which every moment of every episode means something - to the character(s), and to me. That’s what makes serial television satisfying. It has nothing to do with shock or intellect or reinventing the wheel, it’s just about telling the damn story in a way that makes you feel it.
[A large and fluffy dog is sleeping on a porch. A tiny grey bird is bouncing around on the dog, stealing its fur. Its tiny beak is full of dog floof. The dog is totally still and does not appear to have noticed the thief.]
a burglar
a birbler